Website showcases secrets behind one of the BBC’s most successful tv drama adaptations
Researchers at the University of Nottingham and De Montfort University Leicester have revealed exactly how a renowned screenwriter turned a classic novel into a hit BBC television drama.
The team has created a new interactive website that shows, in detail, how George Eliot’s classic novel, Middlemarch, was adapted, by one of Britain’s most admired television dramatists, as a 6-part BBC serial in 1994. It brings together over 50 years’ worth of documents (screenplays, notes, letters, research materials) by celebrated screenwriter Andrew Davies and it takes visitors on a journey, from the novel to the final tv production, through layers of scripts, correspondence, interviews, photographs and audio and video clips.
The rich resource, which traces the production history of the landmark series, shot on location in the Lincolnshire town of Stamford, is furnished with over 300 multi-media assets, almost 500 notes and 41 editorial commentaries. It was created by a research team led by Professor Justin Smith, Director of the Cinema and Television History Institute, working closely with the George Eliot Archive and the George Eliot Fellowship.
Professor Smith explains: “Transforming Middlemarch, 150 years after the novel’s first serialised publication, sheds new light on the process of bringing a 19th century literary classic to television audiences of the 1990s though the application of 21st century digital humanities technologies.”
We hope this open access genetic edition will appeal not just to literary scholars and Eliot enthusiasts but will help inform fresh approaches to Adaptations and Television Studies alike.
Professor Justin Smith, Director of the Cinema and Television History Institute
Last year, a prototype was shown to screenwriters, educational publishers and digital archivists at a study day at the British Library, where feedback indicated “a lot of wide-ranging potential for the resource, beyond just academic study”, suggesting it would make a useful tool for people studying the art of screenwriting.
Dr Anna Blackwell, Assistant Professor in Drama at the University of Nottingham is an expert in adaptions and co-led the research. She explains: “Of all of George Eliot’s novels, Middlemarch is the least frequently adapted for screen and undoubtedly poses the greatest challenge for screenwriters like Davies. These challenges include Middlemarch’s large ensemble cast of characters, the novel’s significant length and Eliot’s distinctive, ironic narratorial voice which moves fluidly between perspectives. The genetic edition seeks to illuminate Davies’ adaptive practice as well as the efforts of the crew and cast to bring Eliot’s novel to life.”
By reading and comparing the edition’s two digitised screenplays and accompanying notes, detailed commentaries, interviews, photographs, design sketches and more, users are given a unique insight into the creation of the acclaimed television series.
Dr Anna Blackwell, Assistant Professor in Drama at the University of Nottingham
The 15-month project, drawing on Andrew Davies’ papers in DMU’s Special Collections and Eliot’s original manuscript pages from the British Library, has also involved the work of Research Fellow Dr Lucy Hobbs, Prof Gabriel Egan (Director of the Centre for Textual Studies), Dr Natalie Hayton (Archivist in DMU’s Special Collections department), and special advisor Dr Beverley Rilett (Director of the George Eliot Archive at the University of Auburn, Alabama).