KNMA’s Research as Practice series showcases: ‘Crafting Thought’- Creating Infrastructures
New Delhi, May: Kiran Nadar Museum of Art presents the fifth segment of the digital lecture titled ‘Crafting Thought’, consisting of six sessions, has been conceptualised by Annapurna Garimella and featuring Lilly Irani.
This set of six sessions conceptualized and moderated by Annapurna Garimella takes the idea of research in practice to explore how scholars, curators, publishers, and artists reflect on the way they think and shape an enquiry. Thought has to be continually and skillfully crafted and re-crafted as they engage archives, forms of art and new information. How do practitioners do this? Conversations, modes of research output and engagement with art publics evolve while people, life and world events shift. Thought is immaterial and often evanescent but to gain gravity as an idea and then seed an enquiry, it must be crafted.
In the crafting of research practices, accident, intuition, intention, will, desire and fear play important roles. The conversations in this series seek to engage committed practitioners in a discussion about how they work to think.
Lilly Irani in conversation with Annapurna Garimella
When: 12th May, 2022
Time: 6:30 pm IST
Live on Zoom, Facebook & You Tube
Zoom Webinar ID: 868 7350 3088
Lilly Irani is a Science, Technology and Society (STS) scholar and academic. She focuses on how infrastructures shape our collective ways of life and require collective efforts and alignments. Her doctoral research was on India’s national policies, design studios and hackathons. In this conversation, she discusses her effort to understand, counter, and create infrastructures to counter the labor inequities of innovation economies, in her work with data processing gig workers, smart city technologies, and taxi drivers.
Lilly Irani is an Associate Professor of Communication & Science Studies at University of California, San Diego. She also serves as faculty in the Design Lab, Institute for Practical Ethics, the program in Critical Gender Studies, and sits on the Academic Advisory Board of Al Now (NYU). She is author of Chasing Innovation: Making Entrepreneurial Citizens in Modern India (Princeton University Press, 2019) and Redacted (with Jesse Marx) (Taller California, 2021). Her research examines the cultural politics of high-tech work and the counter-practices they generate, as both an ethnographer, a designer, and a former technology worker. She is a co-founder of the digital worker advocacy organization Turkopticon. She sits on the Editorial Committee of Public Culture and on the Editorial Advisory Boards of New Technology, Work, and Employment and Design and Culture.
Annapurna Garimella is an art historian and designer. She researches medieval Indic architecture and vernacular visual and built cultures in India after Independence. Garimella is the Managing Trustee of Art, Resources and Teaching, a research library dedicated to projects and teaching in the visual, built and performing arts. She also heads Jackfruit Research and Design, which specialises in design, research and curation for the arts. Recent curatorial projects include Mutable: Ceramic and Clay Art in India Since 1947 (Piramal Museum of Art, 2017) and Barefoot School of Craft in Goa (Serendipity Arts Festival, 2017-18). Her recent books are the co-edited The Contemporary Hindu Temple: Fragments for a History (Marg, 2019) and the upcoming edited volume The Long Arc of South Asian Art in honour of art historian Vidya Dehejia (Women Unlimited, 2022). Digesting the Past: The Discourse of Sacralized Architectural Renovation in Southern India is her next book.
The Kiran Nadar Museum of Art
Established by art collector Kiran Nadar in 2010, the Kiran Nadar Museum of Art (KNMA) is the first privately-funded museum of art exhibiting modern and contemporary works from India and the sub-continent. Located in New Delhi NCR, India’s capital city, KNMA hosts an ever-growing collection of artworks that both highlights a magnificent generation of 20th-century Indian painters from the post- Independence decades and engages with the different art practices of younger contemporaries.
Sponsored by the Shiv Nadar Foundation, KNMA is focused on bridging the gap between art and the public and fostering a museum-going culture in India. KNMA aims to become a place for confluence, dialogue and collaboration through its curatorial initiatives and exhibitions, school and college workshops, art appreciation discourses, symposiums, and public programs.